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The film, which is a Spanish-Argentinian co-production, is composed of six standalone shorts with a common theme of catharsis , violence and vengeance. Four of the film's stories were partly based on Szifron's real-life experiences and were all planned either as thrillers or dramas.
The film received widespread critical acclaim, particularly for being a good example of an engaging anthology film, for its cast mainly Rivas , humour, cinematography, and music. In the American localisation , the third and fifth sections had their names changed to "Road to Hell" and "The Bill". In fact, everyone on the flight is connected to Pasternak and in some moment wronged or rejected him.
A flight attendant reveals Pasternak is the plane's cabin chief and has locked himself inside the cockpit. Amid the panic, as Pasternak's former psychiatrist tries to reason with him by reminding him that his parents were responsible for his life of misery, Pasternak crashes the airplane into his parents' house.
The cook Rita Cortese , who is a felon, offers to mix rat poison into the man's food. The waitress refuses the offer but unbeknownst to her, the cook adds the poison anyway. When the waitress finds out, she does not take the food away from the man. However, the loan shark's teenage son then arrives and begins to share his father's meal. Worried the boy might eat the poison, the waitress tries to remove the plate; she throws food in the man's face and he attacks her in a chokehold.
The cook then backstabs and kills the loan shark with a chef's knife. In the last scene, the loan shark's son is getting medical treatment from a responding ambulance while the waitress sits next to him solemnly. The cook is arrested and is driven away in a police car. Diego Leonardo Sbaraglia is driving through a desert and tries to overtake a slower, older car that consistently blocks his path.